Résumé
This friendly guide covers all of the major features and functions of Adobe's new Photoshop Elements software including: the Quick Start Screen, Hints Palette, Recipes Palette, File Browser, Filter Browser, Photomerge, Lighting and Color Cast Adjustments, Automatic Straightening and Cropping of scanned images, GIF Animations, and On line Print Services. Filled with to-the-point tips and easy-to-follow instructions, this book will provide real-world examples to show you how to put concepts to use immediately for stunning results. Includes both Windows and Mac coverage.
Contents
Introduction
Photoshop Elements Is PhotoshopPart I: Element-ary School
- About This Book
- What's in This Book
- Part I: Element-ary School
- Part II: Be Prepared
- Part III: Realer than Life
- Part IV: The Inspiration/Perspiration Equation
- Part V: The Part of Tens
- Icons Used in This Book
- Feedback, Please
Part II: Be Prepared
- Chapter 1: Braving the Elements
- The Bland but Benevolent Dr. Jekyll
- The Dynamic but Dastardly Mr. Hyde
- The Two Elements of Photoshop Elements
- Painting without the mess
- Editing existing image detail
- Psychiatric Help (The Doctor Is Built-in)
- The Quick Start screen
- The Hints palette
- The Recipes palette
- Chapter 2: Dissecting Your Desktop
- Giving Elements the Electronic Breath of Life
- Working with Windows
- Switching between Elements and the Finder
- Maneuvering through Menus
- Talking Back to Dialog Boxes
- Playing Around with Palettes
- Opening Up Your Toolbox
- Chapter 3: "Open!" Says Me
- Don't Just Sit There, Open Something!
- Opening via the File Browser
- Opening the ordinary way
- Creating a new image
- Behold the Image Window
- The Screen Is Your Digital Oyster
- Using the Hand tool
- Using keyboard shortcuts
- Zooming in and out on your work
- Navigating by palette
- Tools for the Terribly Precise
- Switching on the rulers
- Turning on the grid
- Information, please
- Chapter 4: Pixels: It's Hip to Be Square
- Welcome to Pixeltown
- Screen Pixels versus Image Pixels
- Image Size, Resolution, and Other Tricky Pixel Stuff
- Resolving resolution
- Changing pixel dimensions
- Changing the physical dimensions of the image
- Keeping things proportionate
- Using the Image Size dialog box safely
- What Does This Canvas Size Command Do?
- Trimming Excess Gunk Off the Edges
- The sharp edges of the Crop tool
- More good news about cropping
- The Straighten and Crop commands
- Image Gymnastics
- Chapter 5: Over (and Under) the Rainbow
- Looking at Color in a Whole New Light
- Managing Photoshop Elements Color
- Gimme good gamma
- Choosing your color settings
- Picking Color the Mix and Match Way
- Juggling foreground and background colors
- Defining colors
- Going Grayscale
- The road to grayscale
- A few more tips in black and white
Part III: Realer Than Life
- Chapter 6: Saving with Grace
- Save an Image, Save a Life
- Saving for the very first time
- Joining the frequent-saver program
- Creating a backup copy
- The Elemental Guide to File Formats
- What is a file format, anyway?
- TIFF: The great communicator
- Photoshop PDF: The can-do kid
- PICT File: The picture format for Mac users
- BMP: The wallpaper glue for PC users
- What about Elements' native Photoshop format?
- What format to use when
- Saving for the Web
- Hey -- what about PNG?
- The Save for Web command
- JPEG: The best choice for photos
- GIF: The choice of choosy Web designers
- The Preview menu
- Good Night, Image -- and Don't Let the Programming Bugs Bite
- Chapter 7: It's Perfect. No, Wait! Okay, Print.
- Time Traveling
- Exploring the History palette in 11 easy steps
- Travel restrictions
- The History palette
- Abandoning Edits en Masse
- The Command Still Known as Print
- This May Be All You Need to Know about Printing
- Choosing a Printer in Windows
- Choosing a Printer on a Mac
- Getting Image and Paper in Sync
- Sending the Image to the Printer
- Chapter 8: Herd Them Pixels
- Learning the Ropes of Selecting
- Throwing lassos
- Using the marquee tools
- Wielding the wand
- Selecting everything
- Deselecting everything
- Editing Selections
- Adding and subtracting from a selection
- Intersecting a selection with a selection
- Avoiding keyboard collisions
- Automatic selection discombobulators
- Hiding the Ants
- Chapter 9: Layer Layer
- Pasting Images Together
- Filling a selection with a selection
- Resizing an image to match its new home
- Excuse Me, but What's a Layer?
- Finding your way around the Layers palette
- Moving and manipulating layers
- Flattening and merging layers
- Locking Layers
- Moving and Cloning Selections
- Transforming Layers and Selections
- Using the Image menu's commands
- Using the Transform tool
- Ending your transformation
Part IV: The Inspiration/Perspiration Equation
- Chapter 10: Dusting Off Images (Without the Lemony Scent)
- Introducing Filters
- Applying filters
- A few fast filter facts
- Using the Dust & Scratches Filter
- Previewing the filter effects
- Specifying the size of the speck
- Experimenting with the Highly Ethical Clone Stamp Tool
- Stamping out splatters
- Performing more magic with the Clone Stamp Tool
- Getting the Red Out
- Chapter 11: What Kind of Tool Am I?
- Touching Base with Retouching Tools
- Smudging Away Imperfections
- Light on the smudge, please
- Smudge-specific controls
- All Them Other Edit Tools
- Dodge? Burn? Those are opposites?
- Playing with the Color knob
- Focusing from the hip
- Sharpening Those Wishy-Washy Details
- The single-shot sharpeners
- Unsharp Mask: The filter with a weird name
- Some sharpening scenarios
- Blurring Adds Depth
- Chapter 12: The Rainbow Correction
- Color-Correcting Correctly
- Levels and Variations
- Those "other" color correctors
- Leveling the Contrast Field
- Fiddling with adjustment layers
- Making friends with the Levels dialog box
- Brightness and contrast as they should be
- Using the Adjust Backlighting and Fill Flash commands
- Variations on a Color Scheme
- Turning plain old color into Technicolor
- Removing that color cast sure feels good
- Using the Replace Color command
Part V: The Part of Tens
- Chapter 13: The Stylish Retouch
- Using Layer Styles to Shine and Shadow
- Tending Your Many Splendid Blends
- Fooling with layer opacity
- Playing around with blend modes
- Those Phunky Philters
- Creating motion and puzzle pieces
- Giving your images that gritty, streetwise look
- Stamping your image in metal
- Merging colors in flaky images
- Making Taffy with the Liquify Filter
- Chapter 14: If a Picture Paints a Thousand Words . . . Then Shut Up and Paint
- Doodling with the Pencil, Paintbrush, and Airbrush
- Performing Special Painting-Tool Tricks
- Choosing Your Brush
- Switching the brush size
- Making your own brush
- Going nuts with the Brushes palette
- Exploring More Painting Options
- Experimenting with brush modes
- "Painting" with the Impressionist Brush
- The Powers of the Eraser
- Working with the regular ol' Eraser tool
- Trying out the somewhat Magic Eraser
- Using the more magical Background Eraser
- Isn't Elements Just a Paint Program?
- The Shape drawing tools
- The Shape Selection Tool
- Chapter 15 : The Digital Stencil
- Painting within the Lines
- Dribbling Paint from a Bucket
- Applying Color to Selection Innards
- Fill, I Command You!
- Selecting your stuffing
- Mixing colors the wrong way
- Gradients: The Ever-Changing Color Sea
- Checking out the Gradient tool
- Changing the way of the gradient
- Becoming a gradient wizard
- Taking on Borders with the Stroke command
- How the border rides the track
- Mix your stroke after you press Enter (Return)
- Chapter 16: Type Righter
- Working with the Type Tool
- Putting Your Words Onscreen
- Typing what must be typed
- Changing how the type looks
- Warping type into strange and unusual shapes
- Editing the Text Layer
- Simplifying a Text Layer
- Declaring Open Season on Type Selection Outlines
- Tracing outlines around your letters
- Chapter 17: Can Photoshop Elements Do That?
- Taking on the Effects Palette
- What's an effect?
- To apply effects
- Batch Processing
- Creating and Printing a Contact Sheet
- Creating and Printing a Picture Package
- Creating a Web Photo Gallery
- Creating an Animated GIF
- Creating Panoramic Pictures with Photomerge
- Chapter 18: Ten Shortcuts to Commit to Long-Term Memory
- Displaying and Hiding the Toolbox and Palettes
- Changing an Option Box Value
- Scrolling and Zooming
- Changing the Brush Size
- Creating Straight Lines
- Adding to, Subtracting from, and Reselecting Selection Outlines
- Moving, Nudging, and Cloning
- Filling a Selection
- Making, Switching, and Selecting Layers
- Stepping through the History Palette
- Chapter 19: Ten Digital Facelift Techniques
- Creating the Movie Starlet Glow
- Turning the Face into a Button
- Creating a Painted Masterpiece
- Giving the Face a Bath
- Stretching the Face This Way and That
- Applying the Atomic Sunburn Effect
- Applying the Cubist Look
- Stamping the Face in a Marble Haze
- Effecting a Total Molecular Breakdown
- Framing the Goofy Pose
- Chapter 20: Ten Reasons You Might Possibly Want to Upgrade to Photoshop One Day
- Ctrl+H (Ô+H on the Mac)
- The Channels Palette
- CMYK Color Mode
- Masking
- Following the Paths
- Eyeing Those Curves
- Lights . . . Camera . . . Actions
- Being an Art Historian
- Photoshop Speaks!
- A Little Help to Get Your ImageReady
Appendix
L'auteur - Deke McClelland
Deke McClelland: Born near Verona in 1511, he was once the most popular portrait painter in all of Florence. His career came to a grinding halt a few centuries later with the advent of photography. Broken, penniless, and deeply resentful, Deke dedicated his energies to the development of a pathogen so insidious that it would one day contaminate each and every photograph on the planet. Code named the Pernicious Instrument of eXtreme EviL (or "pixel" for short), Deke smuggled his terrible creation into The New World and set it free. When his invention turned out to help rather than hurt photography, he went quite mad. He now inflicts his revenge by writing educational books and hosting training videos. His most sinister books are the award-winning Photoshop CS2 Bible and Photoshop CS2 Bible, Professional Edition, now in their 12th year with more copies in print than any other guides on computer graphics. Other subversive titles include Photoshop CS For Dummies and Photoshop Elements For Dummies (both Wiley Publishing, Inc.).
Caractéristiques techniques
PAPIER | |
Éditeur(s) | IDG |
Auteur(s) | Deke McClelland, Galen Fott |
Parution | 23/01/2002 |
Nb. de pages | 368 |
Format | 18,4 x 23,4 |
Couverture | Broché |
Poids | 750g |
Intérieur | Noir et Blanc |
EAN13 | 9780764516368 |
Avantages Eyrolles.com
Consultez aussi
- Les meilleures ventes en Graphisme & Photo
- Les meilleures ventes en Informatique
- Les meilleures ventes en Construction
- Les meilleures ventes en Entreprise & Droit
- Les meilleures ventes en Sciences
- Les meilleures ventes en Littérature
- Les meilleures ventes en Arts & Loisirs
- Les meilleures ventes en Vie pratique
- Les meilleures ventes en Voyage et Tourisme
- Les meilleures ventes en BD et Jeunesse