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Photoshop Elements for Dummies
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Photoshop Elements for Dummies

Photoshop Elements for Dummies

Deke McClelland, Galen Fott

368 pages, parution le 23/01/2002

Résumé

Boost your performance with Photoshop Elements For Dummies. This is the perfect companion for discovering how to easily create professional quality digital images for print and the Web with Adobe's recently introduced Photoshop Elements software.

This friendly guide covers all of the major features and functions of Adobe's new Photoshop Elements software including: the Quick Start Screen, Hints Palette, Recipes Palette, File Browser, Filter Browser, Photomerge, Lighting and Color Cast Adjustments, Automatic Straightening and Cropping of scanned images, GIF Animations, and On line Print Services. Filled with to-the-point tips and easy-to-follow instructions, this book will provide real-world examples to show you how to put concepts to use immediately for stunning results. Includes both Windows and Mac coverage.

Contents

Introduction

Photoshop Elements Is Photoshop
About This Book
What's in This Book
Part I: Element-ary School
Part II: Be Prepared
Part III: Realer than Life
Part IV: The Inspiration/Perspiration Equation
Part V: The Part of Tens
Icons Used in This Book
Feedback, Please
Part I: Element-ary School
Chapter 1: Braving the Elements
The Bland but Benevolent Dr. Jekyll
The Dynamic but Dastardly Mr. Hyde
The Two Elements of Photoshop Elements
Painting without the mess
Editing existing image detail
Psychiatric Help (The Doctor Is Built-in)
The Quick Start screen
The Hints palette
The Recipes palette
Chapter 2: Dissecting Your Desktop
Giving Elements the Electronic Breath of Life
Working with Windows
Switching between Elements and the Finder
Maneuvering through Menus
Talking Back to Dialog Boxes
Playing Around with Palettes
Opening Up Your Toolbox
Chapter 3: "Open!" Says Me
Don't Just Sit There, Open Something!
Opening via the File Browser
Opening the ordinary way
Creating a new image
Behold the Image Window
The Screen Is Your Digital Oyster
Using the Hand tool
Using keyboard shortcuts
Zooming in and out on your work
Navigating by palette
Tools for the Terribly Precise
Switching on the rulers
Turning on the grid
Information, please
Chapter 4: Pixels: It's Hip to Be Square
Welcome to Pixeltown
Screen Pixels versus Image Pixels
Image Size, Resolution, and Other Tricky Pixel Stuff
Resolving resolution
Changing pixel dimensions
Changing the physical dimensions of the image
Keeping things proportionate
Using the Image Size dialog box safely
What Does This Canvas Size Command Do?
Trimming Excess Gunk Off the Edges
The sharp edges of the Crop tool
More good news about cropping
The Straighten and Crop commands
Image Gymnastics
Chapter 5: Over (and Under) the Rainbow
Looking at Color in a Whole New Light
Managing Photoshop Elements Color
Gimme good gamma
Choosing your color settings
Picking Color the Mix and Match Way
Juggling foreground and background colors
Defining colors
Going Grayscale
The road to grayscale
A few more tips in black and white
Part II: Be Prepared
Chapter 6: Saving with Grace
Save an Image, Save a Life
Saving for the very first time
Joining the frequent-saver program
Creating a backup copy
The Elemental Guide to File Formats
What is a file format, anyway?
TIFF: The great communicator
Photoshop PDF: The can-do kid
PICT File: The picture format for Mac users
BMP: The wallpaper glue for PC users
What about Elements' native Photoshop format?
What format to use when
Saving for the Web
Hey -- what about PNG?
The Save for Web command
JPEG: The best choice for photos
GIF: The choice of choosy Web designers
The Preview menu
Good Night, Image -- and Don't Let the Programming Bugs Bite
Chapter 7: It's Perfect. No, Wait! Okay, Print.
Time Traveling
Exploring the History palette in 11 easy steps
Travel restrictions
The History palette
Abandoning Edits en Masse
The Command Still Known as Print
This May Be All You Need to Know about Printing
Choosing a Printer in Windows
Choosing a Printer on a Mac
Getting Image and Paper in Sync
Sending the Image to the Printer
Chapter 8: Herd Them Pixels
Learning the Ropes of Selecting
Throwing lassos
Using the marquee tools
Wielding the wand
Selecting everything
Deselecting everything
Editing Selections
Adding and subtracting from a selection
Intersecting a selection with a selection
Avoiding keyboard collisions
Automatic selection discombobulators
Hiding the Ants
Chapter 9: Layer Layer
Pasting Images Together
Filling a selection with a selection
Resizing an image to match its new home
Excuse Me, but What's a Layer?
Finding your way around the Layers palette
Moving and manipulating layers
Flattening and merging layers
Locking Layers
Moving and Cloning Selections
Transforming Layers and Selections
Using the Image menu's commands
Using the Transform tool
Ending your transformation
Part III: Realer Than Life
Chapter 10: Dusting Off Images (Without the Lemony Scent)
Introducing Filters
Applying filters
A few fast filter facts
Using the Dust & Scratches Filter
Previewing the filter effects
Specifying the size of the speck
Experimenting with the Highly Ethical Clone Stamp Tool
Stamping out splatters
Performing more magic with the Clone Stamp Tool
Getting the Red Out
Chapter 11: What Kind of Tool Am I?
Touching Base with Retouching Tools
Smudging Away Imperfections
Light on the smudge, please
Smudge-specific controls
All Them Other Edit Tools
Dodge? Burn? Those are opposites?
Playing with the Color knob
Focusing from the hip
Sharpening Those Wishy-Washy Details
The single-shot sharpeners
Unsharp Mask: The filter with a weird name
Some sharpening scenarios
Blurring Adds Depth
Chapter 12: The Rainbow Correction
Color-Correcting Correctly
Levels and Variations
Those "other" color correctors
Leveling the Contrast Field
Fiddling with adjustment layers
Making friends with the Levels dialog box
Brightness and contrast as they should be
Using the Adjust Backlighting and Fill Flash commands
Variations on a Color Scheme
Turning plain old color into Technicolor
Removing that color cast sure feels good
Using the Replace Color command
Part IV: The Inspiration/Perspiration Equation
Chapter 13: The Stylish Retouch
Using Layer Styles to Shine and Shadow
Tending Your Many Splendid Blends
Fooling with layer opacity
Playing around with blend modes
Those Phunky Philters
Creating motion and puzzle pieces
Giving your images that gritty, streetwise look
Stamping your image in metal
Merging colors in flaky images
Making Taffy with the Liquify Filter
Chapter 14: If a Picture Paints a Thousand Words . . . Then Shut Up and Paint
Doodling with the Pencil, Paintbrush, and Airbrush
Performing Special Painting-Tool Tricks
Choosing Your Brush
Switching the brush size
Making your own brush
Going nuts with the Brushes palette
Exploring More Painting Options
Experimenting with brush modes
"Painting" with the Impressionist Brush
The Powers of the Eraser
Working with the regular ol' Eraser tool
Trying out the somewhat Magic Eraser
Using the more magical Background Eraser
Isn't Elements Just a Paint Program?
The Shape drawing tools
The Shape Selection Tool
Chapter 15 : The Digital Stencil
Painting within the Lines
Dribbling Paint from a Bucket
Applying Color to Selection Innards
Fill, I Command You!
Selecting your stuffing
Mixing colors the wrong way
Gradients: The Ever-Changing Color Sea
Checking out the Gradient tool
Changing the way of the gradient
Becoming a gradient wizard
Taking on Borders with the Stroke command
How the border rides the track
Mix your stroke after you press Enter (Return)
Chapter 16: Type Righter
Working with the Type Tool
Putting Your Words Onscreen
Typing what must be typed
Changing how the type looks
Warping type into strange and unusual shapes
Editing the Text Layer
Simplifying a Text Layer
Declaring Open Season on Type Selection Outlines
Tracing outlines around your letters
Chapter 17: Can Photoshop Elements Do That?
Taking on the Effects Palette
What's an effect?
To apply effects
Batch Processing
Creating and Printing a Contact Sheet
Creating and Printing a Picture Package
Creating a Web Photo Gallery
Creating an Animated GIF
Creating Panoramic Pictures with Photomerge
Part V: The Part of Tens
Chapter 18: Ten Shortcuts to Commit to Long-Term Memory
Displaying and Hiding the Toolbox and Palettes
Changing an Option Box Value
Scrolling and Zooming
Changing the Brush Size
Creating Straight Lines
Adding to, Subtracting from, and Reselecting Selection Outlines
Moving, Nudging, and Cloning
Filling a Selection
Making, Switching, and Selecting Layers
Stepping through the History Palette
Chapter 19: Ten Digital Facelift Techniques
Creating the Movie Starlet Glow
Turning the Face into a Button
Creating a Painted Masterpiece
Giving the Face a Bath
Stretching the Face This Way and That
Applying the Atomic Sunburn Effect
Applying the Cubist Look
Stamping the Face in a Marble Haze
Effecting a Total Molecular Breakdown
Framing the Goofy Pose
Chapter 20: Ten Reasons You Might Possibly Want to Upgrade to Photoshop One Day
Ctrl+H (Ô+H on the Mac)
The Channels Palette
CMYK Color Mode
Masking
Following the Paths
Eyeing Those Curves
Lights . . . Camera . . . Actions
Being an Art Historian
Photoshop Speaks!
A Little Help to Get Your ImageReady

Appendix

L'auteur - Deke McClelland

Deke McClelland: Born near Verona in 1511, he was once the most popular portrait painter in all of Florence. His career came to a grinding halt a few centuries later with the advent of photography. Broken, penniless, and deeply resentful, Deke dedicated his energies to the development of a pathogen so insidious that it would one day contaminate each and every photograph on the planet. Code named the Pernicious Instrument of eXtreme EviL (or "pixel" for short), Deke smuggled his terrible creation into The New World and set it free. When his invention turned out to help rather than hurt photography, he went quite mad. He now inflicts his revenge by writing educational books and hosting training videos. His most sinister books are the award-winning Photoshop CS2 Bible and Photoshop CS2 Bible, Professional Edition, now in their 12th year with more copies in print than any other guides on computer graphics. Other subversive titles include Photoshop CS For Dummies and Photoshop Elements For Dummies (both Wiley Publishing, Inc.).

Caractéristiques techniques

  PAPIER
Éditeur(s) IDG
Auteur(s) Deke McClelland, Galen Fott
Parution 23/01/2002
Nb. de pages 368
Format 18,4 x 23,4
Couverture Broché
Poids 750g
Intérieur Noir et Blanc
EAN13 9780764516368

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