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Moving Environments: Affect, Emotion, Ecology, and Film
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Moving Environments: Affect, Emotion, Ecology, and Film

Moving Environments: Affect, Emotion, Ecology, and Film

Affect, emotion, ecology, and film

Alexa Weik von Mossner

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Parution le 03/08/2014
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Résumé

Investigating how films portray human emotional relationships with the more-than-human world and how such films act upon their viewers' emotions, this collection opens a new discursive space at the disciplinary intersection of film studies, affect studies, and a growing body of ecocritical scholarship.

In Moving Environments: Affect, Emotion, Ecology, and Film , international scholars investigate how films portray human emotional relationships with the more-than-human world and how such films act upon their viewers' emotions. Emotion and affect are the basic mechanisms that connect us to our environment, shape our knowledge, and motivate our actions. Contributors explore how film represents and shapes human emotion in relation to different environments and what role time, place, and genre play in these affective processes. Individual essays resituate well-researched environmental films such as An Inconvenient Truth and March of the Penguins by paying close attention to their emotionalizing strategies, and bring to our attention the affective qualities of films that have so far received little attention from ecocritics, such as Stan Brakhage's Dog Star Man . The collection opens a new discursive space at the disciplinary intersection of film studies, affect studies, and a growing body of ecocritical scholarship. It will be of interest not only to scholars and students working in the field of ecocriticism and the environmental humanities, but for everyone with an interest in our emotional responses to film.Table of Contents for Moving Environments: Affect, Emotion, Ecology, and Film , edited by Alexa Weik von Mossner Acknowledgements Introduction: Ecocritical Film Studies and the Effects of Affect, Emotion, and Cognition | Alexa Weik von Mossner PART I: General and Theoretical Considerations 1. Emotion and Affect in Eco-films: Cognitive and Phenomenological Approaches | David Ingram 2. Emotions of Consequence? Viewing Eco-documentaries from a Cognitivist Perspective | Alexa Weik von Mossner 3. Irony and Contemporary Ecocinema: Theorizing a New Affective Paradigm | Nicole Seymour PART II: Anthropomorphism and the Non-Human in Documentary Film 4. On the "Inexplicable Magic of Cinema": Critical Anthropomorphism, Emotion, and the Wildness of Wildlife Films | Bart H. Welling 5. Emotion, Argumentation, and Documentary Traditions: Darwin's Nightmare and The Cove | Belinda Smaill 6. Documenting Animal Rights and Environmental Ethics at Sea | Robin Murray and Joseph L. Heumann PART III: The Effects and Affects of Animation 7. Animation, Realism, and the Genre of Nature | David Whitley 8. What Can a Film Do? Assessing Avatar 's Global Affects | Adrian Ivakhiv 9. Animated Ecocinema and Affect: A Case Study of Pixar's UP | Pat Brereton PART IV: The Affect of Place and Time 10. Moving Home: Documentary Film and Other Remediations of Post-Katrina New Orleans | Janet Walker 11. Evoking Sympathy and Empathy: The Ecological Indian and Indigenous Eco-activism | Salma Monani 12. Affect and Environment in Two Artists' Films and a Video | Sean Cubitt List of Contributors IndexAlexa Weik von Mossner is an assistant professor of American studies at the University of Klagenfurt in Austria. She has published widely on cosmopolitanism and various ecocritical issues in literature and film. Her most recent monograph is Cosmopolitan Minds: Literature, Emotion, and the Transnational Imagination (2014).

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  PAPIER NUMERIQUE
Éditeur(s) Wilfrid Laurier University Press
Auteur(s) Alexa Weik von Mossner
Parution 03/08/2014 06/10/2014
Nb. de pages - 296
Contenu - ePub
EAN13 9781771120029 9781771120043

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