Jazz voicings for piano: the complete linear approach

Chapter 1 – Four-Part Chords: Major Chords - Minor Chords - Dominant Chords - Half-Diminished / Diminished Chords - "Drop Two" Technique - Piano Textures - Voice Leading - Exploring the Potential of "Drop Two" Voicings - Exercise Section - Chapter 2 – Inverted Four-Part Chords: Preliminaries - Chromaticism - Invertible Counterpoint - Exercise Section - Chapter 3 – Five-Part Chords: Major Chords - Minor Chords - Diminished Chords - Dominant Chords - Suspended Chords - Keyboard Style - Chorale Style - Inverted Five-Part Chords - Exercise Section - Chapter 4 – Rootless Five-Part Voicings: Practicing Rootless Chords - The ii-V7-I Progression in Keyboard Style - The Sus7 Dominant Preparation - The iiø-V7-i Progression in Keyboard Style - Basic Melodic Elaborations in Chorale Style - Exercise Section - Chapter 5 – Six-Part Chords: Pairs of Triads - Superimposed Triads - Rootless Voicings - Upper-Structure Triads in the Dominant 7th Chord - Combinations of Extensions - "Drop Two" Dominant 7ths - Suspended Chords - Rootless Dominant 7th and Sus7 Chords - Voice Leading - Exercise Section - Chapter 6 – Incomplete Chords: J. S. Bach's Setting of a Chorale - Major, Minor and Half-Diminished / Diminished Chords in Chorale Style - Dominant 7th and Suspended Chords in Chorale Style - Rootless Formations in Chorale Style - The II-V-I Progression - Invertible Counterpoint - Linear Embellishments - Exercise Section - Index