Résumé
Appearing to coincide with an exhibit of the late photographer's work at the Museum of Modern Art, this is a collection of 80 black-and-white photoportraits - common faces, irascible faces, freak faces, pathetic faces, whorish faces - all made extraordinary by the penetrating Arbus camera. Introduced by a short, informal essay in which she discusses technique and what a photograph should be. (Kirkus Reviews)
