Résumé
Contents
Introduction
What Can You Do with this Book?
- Is This the Book for You?
- How Is this Book Organized?
- Part I: Getting the Picture
- Part II: Painting the Picture
- Part III: Improving Appearances
- Part IV: Changing and Adding Content
- Part V: Taking It to the Street
- Part VI: The Part of Tens
- Shortcuts and Conventions in this Book
Part I: Getting the Picture
- Chapter 1: Introducing Paint Shop Pro
- Firing Up Paint Shop Pro and Finding What You Need
- Operating Toolbars, Palettes, and Windows
- Unrolling and moving toolbars, palettes, and windows
- Enabling and disabling toolbars, palettes, and windows
- Knowing and customizing toolbars
- Meeting the tools of the Tool palette
- Hobnobbing with the status bar
- Confronting the Color palette
- Saluting the Tool Options window
- Bowing to the Layer palette
- Nodding to the Histogram window
- Electing Your Rulers
- Getting on the Grid
- Aligning Objects to Guides
- Viewing and Zooming Your Image
- Zooming the image in the window
- Using an Overview Window to stay oriented
- Filling your screen with your image
- Working on several images at once
- Undoing and Redoing
- Chapter 2: Starting, Opening, and Saving Image Files
- Starting an Image from Scratch
- Choosing the right image size
- Choosing adequate image resolution
- Choosing the color of your new image's background
- Selecting the best image type (color depth)
- Discovering Time-Saving Commands for Image Files
- Opening Image Files
- Saving Your Image
- Using Native and Foreign File Types
- Paint Shop Pro files (PSP)
- BMP
- TIFF
- GIF
- JPEG
- PNG
- Using vector file types (drawing files)
- Fixing Files Where Some Paint Shop Pro Features Don't Work
- Reading or Storing Notes about a File
- Browsing and Organizing Files Using Tiny Pictures
- Obtaining Images from the Web
- Chapter 3: Capturing Pictures from Paper, Camera, or Screen
- Scanning into Paint Shop Pro
- Getting the most from your scanning software
- Forever plaid: Scanning printed images
- Getting Images from a Digital Camera
- Configuring Paint Shop Pro for your camera
- Downloading and opening photos
- Talking TWAIN to your camera
- Capturing Images from Your PC Screen
- Quick captures with the Print Screen button
- Selective captures with Paint Shop Pro's capture features
Part II: Painting the Picture
- Chapter 4: Choosing Colors, Styles, and Textures
- Choosing Paint
- Choosing a basic or recently used color
- Choosing a color from your picture
- Choosing a Color More Precisely
- Precise color using the color wheel
- Additional shades of basic colors
- Very precise color adjustments -- by the numbers
- Storing Custom Colors to Use Again
- Working with 256 Colors or Fewer
- Working with Style -- Beyond Plain Paint
- Choosing a style
- Choosing gradients
- Painting with gradients
- Choosing and making patterns
- Applying a Texture
- Chapter 5: Fundamental Painting, Spraying, and Filling
- Choosing the Tool for the Job
- Using Basic Artist's Tools: Paint Brush, Airbrush, and Eraser
- Painting with the Paint Brush or Airbrush tool
- Erasing with the Eraser tool
- Controlling Strokes, Sizes, Shapes, and Spatters: Tool Options
- Using convenient controls in the Tool Options window
- Making lines wider or narrower: Size
- Shaping clicks, lines, and line ends: Shape
- Painting with a softer or harder edge: Hardness
- Making paint thinner or thicker: Opacity
- Getting speckles of spray: Density
- Making lines more or less dotty: Step
- Scribbling to make paint thicker: Build Up Brush
- Chalk, crayon, and other media
- Brushing snowflakes and other custom shapes
- Coloring within the Lines by Using Selection
- Replacing Colors
- Filling Areas
- Filling a selected area with solid color
- Filling with a gradient, pattern, or texture
- Blend modes
- Chapter 6: Painting with Pictures
- Cloning Around
- Setting clone brush options for your specific needs
- Extending lawns or other textured areas
- Cloning Aunt Kate
- Painting with Picture Tubes
- Basic tubing 101
- Basic tubing 102: Worms, grass, music, and fire
- Adjusting basic tube behavior
- Advanced tubing: Stroke-sensitive behavior
- Making your own picture tubes
Part III: Improving Appearances
- Chapter 7: Retouching Touchy Spots
- The Friendly Finger of the Retouch Tool
- Adjusting your retouch stroke
- Softening
- Smudging
- Lightening or darkening
- Other modes
- The Scratch Remover Tool
- The Red-eye Remover
- Reconstructing the pupil
- Outlining problem pupils
- Replacing pupil and iris
- Chapter 8: Finessing Photos with Effects
- Using Effects' Adjustment Dialog Boxes
- Correcting Lighting Color
- Correcting Contrast and Brightness
- Intensifying (or Dulling) Colors
- Removing JPEG, Moire, and Other Patterns
- Unearthing JPEG artifacts
- Don't want no moire
- Unlacing your interlacing
- Rubbing Out Scratchiness
- Clarifying the Details
- Unfading the Faded
- Correcting for a Specific Color
- Sharpening, Edge Enhancing, or Blurring
- Sharpening
- Edge Enhancing
- Blurring
- Removing Noise (Speckles)
- Chapter 9: Creating Artsy Effects
- Try 'em On: Browsing the Effects
- 3D: Holes, Buttons, and Chisels
- Artistic and Other Effects: Simulating Traditional Media
- Example 1: Topography
- Example 2: Brush strokes
- Geometric Effects: Curls, Squeezes, and Waves
- Example 1: Page curl
- Example 2: Wave
- Illumination Effects: Sunbursts, Flare, and Spotlights
- Sunburst
- Lights
- Reflection Effects: Mirrors and Patterns
- Kaleidoscope
- Pattern
- Texture Effects: Bumpy Surfaces from Asphalt to Weaves
- Relating texture effects to the Color palette's textures
- Using texture effect controls
- Example 1: The fur texture effect
- Example 2: The texture texture effect
- Common Adjustments
- Chapter 10: Adjusting Color by Bits
- Mastering the Color Illusion
- Understanding why the trick works
- Applying the trick: Combining two primaries
- Adding the third color for pastels or grays
- Fiddling with the three values
- Using Hue, Saturation, and Lightness
- Primary Color Channels
- Color Depth/Number of Colors
- Checking your image's color depth
- Increasing color depth to use more tools
- Reducing color depth for speed, size, or special effects
- Saving and restoring a palette
- Chapter 11: Laundering Your Image for Brightness, Contrast, and Color
- Using the Adjustment Dialog Boxes
- Making adjustments
- Proofing or previewing your adjustments
- Getting Brighter, Darker, or More Contrasty
- Laundering Lights, Mediums, and Darks Separately
- Laundering for Lightness, Color Intensity, and Hue
- Lightness: Brightening without bleaching
- Saturation: Getting more or less intense
- Hue-ing and crying
- Altering an Overall Tint
- Going Gray with a Tint: Colorizing
- Going Totally Gray or Negative in One Step
- Using More Sophisticated Color Adjustments
- Levels
- Curves
- Posterize
- Threshold
Part IV: Changing and Adding Content
- Chapter 12: Getting Bigger, Smaller, and Turned Around
- Getting Sized
- Proportioning
- Dimensioning
- Avoiding degradation
- Trimming (Cropping) Your Edges
- Dragging the Crop tool
- Cropping by precise pixel positions
- Cropping to an existing selection
- Cropping out nothingness
- Getting Turned Around, Mirrored, or Flipped
- Rotating
- Mirroring and flipping
- Taking on Borders
- Achieving a Particular Canvas Size
- Chapter 13: Selecting Parts of an Image
- Selecting an Area
- Selecting a rectangle or other regular shape
- Selecting by outlining: The Freehand tool
- Selecting by color or brightness: The Magic Wand tool
- Modifying Your Selection
- Moving the selection outline
- Adding to or subtracting from your selection
- Expanding and contracting by pixels
- Growing -- fixing imperfect selections
- Selecting all areas of similar color
- Feathering for More Gradual Edges
- Antialiasing for Smoother Edges
- Hiding the Selection Marquee
- Selecting All, None, or Everything But
- Saving Selections
- Saving the selection as a selection file
- Saving a selection as an alpha channel
- Restoring a saved selection
- Avoiding Selection Problems in Layered Images
- Chapter 14: Moving, Copying, and Reshaping Parts of Your Image
- Floating, Moving, and Deleting Selections
- Cutting, Copying, and Pasting from the Windows Clipboard
- Cut and copy
- Paste
- Pasting to create a new picture: As New Image
- Pasting onto an existing image: As New Selection
- Pasting without background: As Transparent Selection
- Pasting to fit: Into Selection
- Pasting for maximum flexibility: As New Layer
- Making Background or Other Colors Transparent
- Resizing, Rotating, Deforming, and Perspective-izing
- Preparing for deformation
- Doing the deformation
- Applying or abandoning the deformation
- Chapter 15: Layering Images
- Putting Layers to Work for You
- Getting Layers
- Calling a Pal for Help: The Layer Palette
- Creating A New, Blank Layer
- Working On Layers
- Seeing, Hiding, and Rearranging Layers
- Pinning Layers Together: Grouping
- Using Layers to Separate or Combine Images
- Combining entire images
- Separating image parts into layers
- Copying, cutting, and pasting with layers
- Copying entire layers from one image to another
- Blending images by making layers transparent
- Blending images in creative ways
- Creating and Using Adjustment Layers
- Creating an adjustment layer
- Choosing the type of adjustment layer you need
- Applying adjustments only to certain areas
- Using Vector Layers
- Merging Layers
- Chapter 16: Adding Layers of Text or Shapes
- Keeping Track of Objects and Layers
- Adding and Editing Text
- Creating, placing, and editing text
- Creating text with fancy fills and outlines
- Bending text to follow a line or shape
- Straight, single lines
- Freehand lines or shapes
- Connecting dots
- Connecting dots with curved lines
- Picking at Your Nodes
- Using Dashedly Stylish Lines
- Choosing an existing style
- Making your own style
- Alternative line ends: Caps
- Saving your style
- Adding Preset Shapes
- Dragging a shape
- Creating custom shapes
- Changing Colors and Other Properties
- Controlling Your Objects
- Selecting and grouping vector objects
- Deleting, copying, pasting, and editing
- Positioning, arranging, and sizing by hand
- Positioning and sizing objects automatically
- Chapter 17: Masking Layers
- Putting Masking to Work for You
- Creating a Basic Show All Mask
- Painting, Editing, and Viewing the Mask
- Choosing your paint
- Painting and filling
- Drawing, shapes, and text
- Making a mask from an image
- Controlling the Mask
- Disabling, enabling, or de-linking the mask
- Saving, deleting, and merging a mask
Part V: Taking It to the Street
- Chapter 18: Printing
- Fitting Your Print to the Paper
- Printing an Image
- Printing Browser Thumbnails
- Printing Collections or Album Pages
- Fooling with the pictures and layout
- Saving and re-using your layout
- Printing at Different Speeds or Qualities
- Speed, size, and ink
- Printer and image resolution
- Printing Color Separations
- Chapter 19: Creating Web Images
- Making Images Download Faster
- Exporting Images for the Web
- Choosing features and file types
- Creating GIF files
- Creating JPEG files
- Doing Common Webbish Tricks
- Creating buttons
- Matching image colors to HTML colors
- Creating Interactive Web Pages from Graphics
- Creating an image map
- Creating image slices
- Entering the links
- Saving and reloading your work
- Outputting the result
- Making rollovers
- Chapter 20: Animating in Animation Shop
- Getting to Know Animation Shop
- Using Animation Shop windows and controls
- Saving and opening animations
- Making Instant Text Banners
- Making Quick Animations from Your Images
- Building your animation with the Animation wizard
- Creating frames by inserting transitions
- Creating frames by inserting image effects
- Creating frames by inserting text effects
- Applying Effects to Existing Frames
- Working Frame-by-Frame
- Starting from scratch
- Managing and adding frames
- Working on frames in Paint Shop Pro
- Creating Animated GIF Files for the Web
Part VI: The Part of Tens
- Chapter 21: Ten Perplexing Problems
- Grayed-out Tools
- Grayed-out Menu Commands
- Image is Wrong Size Inside or Outside Paint Shop Pro
- Tool or Command Doesn't Do Anything
- Paint Doesn't Come Out Right
- Brush Stroke is Wrong Size or Too Fuzzy
- New Text Appears When You Try to Change Text
- Text or Shape Comes Out the Wrong Color, Texture, or Pattern
- Magic Wand Tool Doesn't Select Well
- Tool Works, But Not Like You Want
- Chapter 22: Ten Fast Fixes for Photo Failures
- Rotating Right-Side Up
- Getting the Red Out
- Photos without Enough Flash
- Photos with Too Much Flash
- Revealing Dark Corners
- Removing Unwanted Relatives
- Adding Absent Relatives
- Zapping Zits
- Making Gray Skies Blue
- Making Colors Zippier
Appendix
L'auteur - David Kay
David C. Kay, Ph.D. is a professor and chairman of mathematics at the University of North Carolina at Asheville. Formerly he taught in the graduate program at the University of Oklahoma for 17 years. He is the author of more than 30 articles in the areas of distance geometry, convexity theory, and related functional analysis.
Caractéristiques techniques
PAPIER | |
Éditeur(s) | IDG |
Auteur(s) | David Kay |
Parution | 01/04/2000 |
Nb. de pages | 382 |
Format | 18,7 x 23,3 |
Couverture | Broché |
Poids | 734g |
Intérieur | Noir et Blanc |
EAN13 | 9780764506932 |
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